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Wednesday, November 28, 2007

Ch-ch-ch-ch-changes...In case anyone is actually out there and planning on traveling to the campus of NH Technical Institute next weekend for the evening (or afternoon) of short plays, the times on the Friday/Saturday evening performances have changed from a previous post. They are now 7:30 PM. Here's the corrected text:

"An Evening of Short Plays" CONCORD, NH--New Hampshire Technical Institute Drama Club Presents eight short plays by local playwrights. Sweeney Auditorium. Friday/Saturday Dec. 7 & 8, 7:30 p.m., Sunday, Dec. 9, 4 p.m. Admission by donation. Included among the works is "Safety Deposit Boxes" by Dana Biscotti Myskowski.

I hope to attend both the Friday evening and Sunday afternoon performances. Hope to see you there!

Cheers,
Dana

(No animal was harmed in the above picture. No, really....)

Sunday, November 25, 2007

Stairway to locked doors...A nice day today, prompting us to hike the path to the Fire Tower. A good view between the naked trees. Too bad the tower was closed, which led to this silly photo....

Closed. Cut off. Halted.

I'm trying not to focus on the writer's strike, which has cut off my access to my producer. I have edited my creative thesis screenplay, NIKI SWEET TALK MOVES, since sending a former version to her, but the strike has meant that I can't send her the revisions. And I'm only an associate member of the Guild. It's painful...wondering what might be and if my opportunity will dry up should this strike continue too long.

But the Guild is heading back to the table tomorrow for talks. So here's hoping everyone will be willing to work together.

Are you up for an evening of live entertainment? If so, I have a short play being presented among the works at NH Technical Institute (next to the Planetarium) in Concord, NH in two weeks:

"An Evening of Short Plays" CONCORD, NH--New Hampshire Technical Institute Drama Club Presents eight short plays by local playwrights. Sweeney Auditorium. Friday/Saturday Dec. 7 & 8, 7 p.m., Sunday, Dec. 9, 4 p.m. Admission by donation. Included among the works is "Safety Deposit Boxes" by Dana Biscotti Myskowski.

I'm hoping to catch the Friday and Sunday performances; would love to see you there!

Cheers,
Dana

Thursday, November 22, 2007

Happy Thanksgiving!It’s on this day more than any other that I miss my father; Thanksgiving was his favorite holiday.

Sure, he liked the football and the food, but what made it special for him was that family gathered simply to be together and to give thanks for all their blessings, even in the slim years. No presents were ever exchanged and any past wrongs were generally forgotten and forgiven. The holiday elicited the best from people simply because of its focus on gratitude.

I have much to be thankful for this year. I recently received word that my fifth packet material will serve as my FINAL packet of my Goddard graduate career. The 40 pages contained 37 pages of a rewrite to my creative thesis NIKI SWEET TALK MOVES and a three-page process letter, thanking my advisor for her astute notes and filling her in on other changes that could not be slipped into the slim packet.

I am ecstatic that I made it. But more than that, I am thankful.

This journey began more than a few years ago when, after receiving my Professional Certificate in Screenwriting from UCLA and having won a few screenplay competitions, the film and documentary professor at UNH-Manchester invited me to teach scriptwriting for the Communication Arts Department. Once inside the classroom I was hooked. I love working with the students of UNH.

“How do I do this full-time?” I asked the then chairperson of the department. No guarantees that it would lead to full-time work, of course, but my first task was to enroll in an MFA program and secure that advanced degree.

It was my mother who helped me next.

After she flew from California to hang out with my children so I could travel to Providence to run the ScriptBiz Screenwriting Seminar of the Rhode Island International Film Festival, my daughter and I took my mother on a thank you trip up north to Hero Island, Vermont to see the summer training grounds of the famous Lipizzaner stallions.

On the drive home on Interstate 89 South I saw a sign for Goddard College. I took the exit and we walked the grounds of the school. No doubt between summer sessions, it was quiet, peaceful, and inspiring. “This is where I want to get my master’s someday,” I told my mom and my daughter.

“Why aren’t you here now?” my mom asked.

Good question. In the next couple weeks I applied, was accepted, and began my incredible journey.

In all honesty I attended primarily to get that piece of paper—my diploma—that would allow me the opportunity to possibly spin a part-time teaching gig into a full-time one. But I received far more than the promise of parchment.

I quickly realized that while UCLA had prepared me well for the world of scriptwriting, I had much more to learn. Yesterday as I met with a director who lives nearby, I told him how amazed I was by the process of my education. I learned how much I didn’t know. And how to recognize and fill-in the gaps in my education as I proceed on my own.

I will always be thankful to Goddard for equipping me to face my journey. The rigorous assignments of the countless critical papers have helped me to study films, plays, scripts, poetry, novels, and stories in a more in-depth way than I had ever before known. And that has helped me—and will continue to help me—as I approach my own writing and rewriting.

Goddard has taught me to fish.

So, thank you. Goddard. Mom. Husband. Kids. Fellow classmates. Students. Friends. Family. Colleagues. Writer’s Group. Neighbors. Internet. Post Office Employees. And more.

And Dad. For not only helping me to appreciate this holiday above all others, but for instilling in me a sense of excellence and hard work that I hope to never outgrow.

Photos above taken by my husband on our Summer, 2007 vacation to Cliff Island, Maine. Top photo: lobster boats at dawn. Center photo: he took for me since “107” has become the number that signifies my father; it was his caddie number when he was a kid in Cleveland; it is also the title of a short screenplay I wrote that tells one of his incredible brush with the mob stories. Bottom photo: taken on the ferry as we left Cliff Island. Sad when you consider how many months it will be before we return. Happy when we realize how many memories we made there and for which we can be thankful.

Monday, November 05, 2007

Just a quick note...I've gone underground again after having received my Packet Four notes on my Creative Thesis screenplay from my Advisor yesterday (am still awaiting notes from my Second Reader). Many astute revision suggestions have me scrambling to complete a rewrite of NIKI SWEET TALK MOVES by Packet Five, which is due next week. It should be the final packet of my Goddard career.

So if you'll excuse me for a couple more weeks, I shall remain as underground (in my basement office) as possible, popping up only to retrieve my daughter from school and to teach at UNH. Perhaps to glimpse my shadow now and then, too.

Cheers,
Dana

Photo above taken at the tree farm where we harvest our Christmas tree each year. It's tagged there somewhere in the photo....

Saturday, October 27, 2007

NIKI SWEET TALK MOVES again…She’s off. My 119-page Creative Thesis Screenplay. To my Graduate Advisor and to my Second Reader. Also to a production company by request.

An enormous THANK YOU to all my volunteer readers!!! You know I couldn't have done it without your help. Also to my family and friends for putting up with me these past few weeks.... Thanks, too, to all of you who sent e-mails congratulating me yesterday for reaching the finish line, and to those of you who sent me notes such as *inhale, exhale, repeat from *. Who knows where I'd be now without such wise advice!

And the wait begins.

I’ve been spending every spare moment writing and rewriting. So now what will I do with all of my free time?

Grade papers. Update my bibliography. Maybe add two more texts to my Annotated Bibliography. Search for a third adjunct class to teach at some nearby college next spring. (UNH only allows adjuncts to teach up to two classes per semester; I had no idea…all this time I thought I was just being lazy only teaching two classes while in grad school.)

And clean. If you’ve been to my house recently you’re probably thinking there’s no way she can possibly accomplish that goal. If you live with me, you’re wondering which furniture is going to be moved first.

And, naturally, I have more writing to do. I am still at work on JOINT ACCOUNTS, my collection of one-act plays and monologues that can each stand alone or be performed together by a cast of four on a bare stage. I’ve been writing it as an extra creative graduate project, obtaining feedback when I can.

In fact, my latest piece to be reviewed by my advisor—SAFETY DEPOSIT BOXES—will be performed in December at the New Hampshire Technical Institute in Concord, NH. More info, soon….

Speaking of which, NIKI SWEET TALK MOVES will also enjoy a staged reading at the University of New Hampshire’s Manchester campus in the Spring 2008 semester. More info posted as it becomes available.

And I have an adaptation of Merle Drown’s PLOWING UP A SNAKE that is awaiting a rewrite. I have the ideas and have been just waiting for the extra couple weeks to dive into that project and get it back out to the few interested production companies.

As for my Goddard Career, I have only one more packet to go. That’s presuming both my advisor and my second reader think my Creative Thesis is ready.

And what is this draft of my screenplay about, you might wonder?

NIKI SWEET TALK MOVES tells the story of Wyn Baker, a selfish 30-something photojournalist who needs promise of a financial award in order to help her people, the Inuit of Nunavut, Canada. In her extraordinary travels Wyn learns how to live and love as she races against time and the elements to expose a greedy and deadly oil exec bent on grabbing as much land as possible as the company expands in pace with the rapidly retreating ice.

The unique title plays off the rough phonetic pronunciation of Nikisuittuq [niki-sweet-TOK], which is Inuktitut for never moves and the North Star. It is also the ultimate Inuksuk, which is a fun tie-in for me since Inuksuit (plural for Inuksuk) play such an integral part in my chilly—but not quite chilly enough—northern tale.

As always: thanks for stopping by. Oh, and: go Sox!!!

Cheers,
Dana

PHOTOS ABOVE: An Inuksuk built and photographed by my husband while we vacationed at Cliff Island, Maine this summer; a leaf imprint on my dirty front porch (I'm actually guilty of recording the photographic evidence...); and my hubby captured a pic of my license plate, which was my birthday present to myself two years ago.

Sunday, October 21, 2007

Spinning in control....I took an afternoon off today from writing to enjoy the gorgeous fall day here in sunny and warm New Hampshire to walk, tag a Christmas Tree, and take a few photos.

The one above is of my mother's day present: one of those cool copper spinners that turn in the slightest breeze. In the center are bright glass beads. It reminds me of that film MULHOLLAND DRIVE. Or of the marble game at the end of MEN IN BLACK. (I only need the slightest provocation to remind me of any movie.) Against the backdrop of our maple trees, it's absolutely beautiful as it spins in the sunshine.

I just watched SHAWSHANK REDEMPTION with my daughter. She loved it. And why wouldn't she? It's one of the best films ever made. My second-favorite screenplay ever written. Frank Darabont is a genius. (My first favorite screenplay, though one of my least favorite films, is LIGHT SLEEPER. Paul Schrader sure can write them....)

I might be reaching and branching out here for the verbal tie-in to the fabulous fall photo, but I must admit I watched SHAWSHANK with a bit of dread, worried my daughter wouldn't get just how fabulous a film it is. But she did. We both agreed that growing up in my house, it'd be difficult NOT to appreciate a gem of a film like that.

Okay. Enough waxing unpoetic for now. Back to editing my Creative Thesis screenplay, which is due THIS FRIDAY!!! And to rewriting my Process Letter explaining the long road that it took to get my story where it is today. More later.

Thanks, as always, for stopping in. Be well. Be happy. And smile. I hear it's contagious. We need that sort of thing spreading in our everyday world....

Cheers,
Dana

(While I may have taken the top photo, the next two photos were shot by my husband; they are of trees in our front yard.)

Saturday, October 06, 2007

Regrouping...This week I sent off my final Hump Packet of my Goddard career (hopefully...as long as my Creative Thesis is accepted by my faculty advisor and by my second reader).

Inside Packet #3:
Two annotations—my final ones—numbers 44 & 45
My 19-page Process Paper
A customary Process Letter
And 12 pages of my Creative Thesis revision

Now I am writing and rewriting as I polish and hone my graduate screenplay. It’s still Wyn’s story, albeit more finely tuned, with a tightly-wound ticking clock, a polar bear out of water element, and a greedy oil company bent on land grabbing whatever they want—taking both land and precious water ways from the Inuit of Nunavut, Canada.

It’s meant to echo what’s happening in the Circumpolar Regions currently, while highlighting what one person could possibly do, if she rises to the challenge (she does!).

Global warming has opened waterways and eroded precious shoreline, leaving the Inuit and native species to adapt or perish. But a prophecy tells of one who will save her people. And while stubbornness may be her strength, it also may get in her way….

NIKI SWEET TALK MOVES. Coming soon.

Okay. I’m off to bed for now. So I can rise early and return to Wyn’s story.

As always, thanks for stopping by.

Cheers,
Dana

(Photo above of lobster boats at rest in a Cliff Island cove, Casco Bay, Maine; taken by Jan Myskowski.)