Monday, December 22, 2008
Monday, December 15, 2008
A winter wonderland. Of course that's easy for me to say...now that we have power again. Spent the first 36+ hours of the storm cooking on the wood stove and helping ourselves to plenty of gravity-fed water. While we played Scattergories by candlelight and via built-in lights on the bills of our LL Bean baseball caps. Made some fun memories this storm.
Friday, December 05, 2008
Tuesday, December 02, 2008
Review by Dana Biscotti Myskowski
Part drug dealer, part counselor, all drifter, the forty-something character John LeTour of Paul Schrader’s LIGHT SLEEPER is both charming and captivating. We might despise what he does for a living, but because he genuinely cares about the people that surround him, other readers may find themselves as I did: rooting for this unlikely hero.
The script is a quick and delightful read because Schrader writes for his audience. Sure, ideally the screenplay will eventually serve as a blueprint for a film as this one did. But before it can make its way to the can it must first capture the attention, admiration, and accolades of the film financiers, actors, agents, cinematographer, studio execs, and more.
One of the difficulties in reading most screenplays is the inclusion of industry formatting. Instead of using standard slug lines, Schrader begins one sequence with the title “CONFESSOR LETOUR.” In the next line we learn when and where we are, but from the onset we understand the thrust of the story. Hence we read on anxious to learn about this remarkable character who is more than just a drug dealer to his clients, but a confidant, a counselor, an in-person hotline operator, and even—occasionally—a friend.
The dialogue is equally enthralling. Call me picky, but I enjoy hearing characters actually speaking to each other—listening or deliberately not listening—rather than diving into tangents as the writer suddenly realizes he needs to develop a plot thread.
Schrader also writes as people speak. In short sentences. Using nouns and verbs. One word, when necessary. Really. And an occasional simple expression, foul or not. It makes for a quick and enjoyable read, one that can easily fit into the hectic routine of just about any reader.
Grab LIGHT SLEEPER* and slip it into your beach bag, carry on, or glove box to read the next time you need to fill a few minutes. You’ll be glad you did, even if the subject matter falls a bit outside your ordinary world…or triangularly within it.
Schrader, Paul. Light Sleeper. London: Faber and Faber, 1992.
* Now you'll have to settle for the trilogy collection of Schrader works that includes the mesmerizing TAXI DRIVER, LIGHT SLEEPER and AMERICAN GIGOLO, also published by Faber & Faber. (Apparently they've discontinued the single issue screenplays of LIGHT SLEEPER and TAXI DRIVER, though you can score a used copy.)