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Wednesday, January 12, 2011

BENEFIT COMEDY SHOW -- NASC REUNION
 Thursday, March 3, 2011
 Copperfield's in Boston
 Show Begins at 7 p.m.
 Tickets @ Door: $20 per person -- Cash bar
 
**Proceeds to benefit The Jimmy Fund & Special Olympics**

FEATURING COMEDIANS:
Cally Nye -- Boston's new and exciting comic
Andrea Henry -- from Last Comic Standing
AND
Wayne Soares '89 -- Gotham in NYC, Dangerfield's, The Comedy Club in LA, Currently entertaining troops at military bases around the country, & Featured on Armed Forces Radio & TV

  
**Special Appearance by Legendary NASC English Teacher and Beta Advisor**
HARRIS ELDER

R.S.V.P. Requested
Please Comment Here if You Plan to Attend (& number in your party)
Or e-mail myskowski@gmail.com
By Sunday, Feb. 27 

Wednesday, January 05, 2011

Missing my Italian Grandmother...
...and realizing I took her work for granted.

I just made 116 cheese ravioli. Like Grandma used to make...except nothing like hers at all. Mine are full of imperfections, which took me hours to complete. I had no idea the talent and work that went into her daily routine.

Grandma & Grandpa's house was a favorite place to visit. Just off their kitchen, in the basement that connected their home to my Uncle's, were a couple extra freezers, a back-up refrigerator, a third kitchen table, the washer and dryer, and a few other flat surfaces. I hardly recall ever seeing them bare. As we kids would cut through to our Uncle's game room to play ping pong, shuffle board, or pool, we'd race by these horizontal surfaces covered in towels and pasta. And loaves and loaves of bread.

It always smelled delicious at Grandma & Grandpa's. Every once in a great while, like maybe three days in all 23 years of my marriage, I've stumbled on just the right orchestration of spices that instantly take me back to my Grandmother's kitchen, where on two stoves she kept many kettles of sauce simmering.

She taught me and my brothers and my cousins to make homemade pasta just like her. One Christmas when we wouldn't be traveling to Cleveland to see her, my younger brother and I decided to make the pasta like Grandma taught us. We built a bowl out of several cups of flour on the dining room table and added the half dozen eggs to the center. As we gently massaged the flour into the eggs, we sprouted one, then two, then three holes, which led to complete collapse...and eggs and flour all over the dining room floor.

Our parents and our other brother returned home at exactly that moment. We begged them to leave again so we could have time to clean it up and to try again. This time we used a bowl. And though I hardly recall exactly how we managed to clean up our mess, I do remember that we were much more successful as we cheated with the bowl. Later, as we confessed our cheat to our grandmother, she congratulated us on our success, and told us she would have recommended we use a bowl the first time anyway.

When each of my brothers and my cousins and I were married, our grandmother gave each of us our own Atlas hand-crank pasta machine. And most Christmases my machine actually gets used. This year it seemed so "easy" making our pasta that I brought it out again on New Year's Eve and taught the Italian tradition to our friends. And today, overconfident in my abilities, I pulled it out once again and cranked out huge, flat sheets of pasta. I'd thawed extra pirogi cheese I'd made before the holidays, and figuring I'd be done with my task during a long lunch, I dove in.

The other piece of my low tech, but functional and reliable equipment, is a metal tray that reminds me of an ice cube tray with holes instead of wells. I stretched the dough over the tray, took a hard plastic dimpled tray and leaned that gently into the dough, fixed the couple early rips with extra dough, added a scoop of cheese to each of the dozen squares, stretched dough over that, and then pushed a rolling pin over it, forcing the dough to seal and cut at the same time.

Popping the ravioli from the tray was a bit of a challenge and didn't go at all well for the first seven dozen or so, but somehow most of them managed to retain their shape. I'm not worried about it though. I'm guessing they'll all pop pretty easily into our mouths once they're cooked.

But now what do I do if my family likes them enough to ask for more? I guess I'm going to have to improve my time....

Tuesday, December 21, 2010

Oh, oh...the ice trucks cometh. 
Figures. The one day I have to drive this week.
Be safe, everyone.
Happy holidays!

Wednesday, December 15, 2010


“For sale: baby Shoes, never worn.”
--Ernest Hemingway

Please Join Us for 
A Free Stage Reading of
Four One-Act Plays
Penned by New Hampshire Playwrights
Donald Tongue, Lowell Williams,
John Sefel, & Dana Biscotti Myskowski
Sunday, Dec. 19, 2 p.m.
Greenroom of the
Adams Memorial Opera House
Derry, New Hampshire
Sponsored by theatre KAPOW
“According to legend, in 1923 Ernest Hemingway made a bet in a bar that he could write a complete and compelling story using just six words.  He then scribbled on a napkin the six words: "For Sale: Baby shoes, never worn."  With that, the legend goes, he won the bet and would later refer to that simple story as his greatest work.
“This season, theatre KAPOW will present four brand new short plays based on Hemingway’s powerful six-word story. … Staged readings in the fall will culminate in a workshop production in the spring.”

Sunday, October 24, 2010

Communing with Old Growth Trees as Old as Our Young Country
"The Lightning Bolt"
The tallest of the dozen or so old growth 

pines have lightning rods installed.
Joined my husband today on a hike through an Old Growth Forest Stand in nearby Bradford, New Hampshire. The pines are located on five state-owned acres just off Route 103; there's a parking area in a pull-off near the intersection that heads into downtown.
"Theodore," a name that
just seemed to fit this
pine, stands alone from
the rest of the trees.
When you visit,
say hi for me. 

A short trail takes hikers to a grouping of the first few trees where the tallest wears not just one, but two lightning-rod cables. Continuing further along the trail takes nature lovers to the corner of the property where the trail bends to the right and leads to what may be the largest of the trees. The lonely pine, separated as it is from the group, is also adorned with a lightning rod and cable that extends into the dirt at its roots. 

It's a beautiful spot along a lazy stream. An easy walk that would make an excellent hike for children and grandparents alike.


Friday, October 01, 2010

Granite SoFFA Launches!

And Lunches.

The four of us have a tendency to meet over food. Go figure. :)

And so we are planning the first *official* Granite SoFFA Social - the gathering of New Hampshire (and surrounding areas) Society of Female Film Artists (and of Female Film Lovers...oh, and of people [including males] who support or enjoy hanging out with female film artists!). It will be either Friday or Saturday evening of the NH Film Festival weekend. At Foobar in downtown Portsmouth, which is one of the many venues of the fabulous NH Film Festival. (Exact times and day TBA. Soon.)

The four of us chatted after a Red River Movie event featuring DEAF PERCEPTION (Awesome flick!) and MITO KIDS (Important and GREAT film!). A couple of us had, in the past decade or so, moved to New Hampshire and joined the Women in Film in New England group, but found that most of the events centered around Boston. And while we each of us managed to drive to Boston for a few of the events, we all craved the support of women in film in our own state.

And so was born the idea for Granite SoFFA - the NH Society of Female Film Artists.

We're a group centered around fun. And commiseration. And an understanding of what it takes to pursue this line of "work" (or volunteer gigs) that we love so much. And we hope that others will feel as compelled as we do to hang out together occasionally - to share, to bitch, to boast, to laugh, to drink, to eat, to connect....

And over the next few years, stars willing, maybe we'll all be working together on each other's films. Because that's where we're most at home, isn't it? On set and in the theatre. We can dream, can't we? So why not dream BIG!

Hope you'll join us for a Social gathering of the Granite SoFFA soon. And share your thoughts in the meantime. Be well. And may you enjoy the movies!

Friday, September 17, 2010

I'm stressed. You only have to enter my house to know that. The smells of barbeque chicken in the crockpot are enough to make even a vegetarian salivate. I can't help myself. I cook when I'm stressed. I don't eat though, so my family will have to take care of that part of the equation.

I have a second crockpot filled with root veges and I'm peeling potatoes for a vat of mashed (those I WILL eat).


I picked a bushel of apples with my daughter this morning that will become numerous canned jars of applesauce, a couple pies, and an apple cake. I have pie pumpkins that look adorable on my windowsill, but which will not escape my wrath as I seek to chop, squish, and puree the life out of as many foods as possible today.

And I'm planning a pork loin for tomorrow, which I will begin by marinading today.

Then there's the ice cream. I love making ice cream, but when I'm stressed I especially like it. Of course the electric whirring of the blade isn't nearly as satisfying as the hand crank I get to help with when visiting friends at their camp north of the lakes region.

I'm brewing ginger green tea. Three pots. And coffee, but I'll drink that as I work. And I noticed there might some more broccoli to harvest. Maybe I'll make a wholewheat pizza with that and my spices that are overgrowing the garden beds this time of year.

Of course, no stress-induced cooking would be complete without a chocolate yummy or two. And my ricer is available; perhaps I'll cook up a batch of brown rice for rice pudding later in the weekend. Or I could pair it with the frozen shrimp I've been saving for a special occasion (I think this counts).

Did I mention I'm stressed? I hope to be exhausted later. Otherwise I may be cooking long after the sun goes down.